The intimacy of language – Blog #4
In “The Hungry Tide” by Amitav Ghosh, Language is something that goes beyond words. It branches into many different actions and terms that are understood even if they don’t speak the same language. In the novel language is beyond the world of words and is more intimate when Fokir and Piya communicate with their actions. Since Piya cannot speak or understand Bangla despite her heritage and cultural background of it, and Fokir cannot speak or understand English as he was not educated in it. Their drastic different backgrounds and knowledge sets the scene for a very interesting relationship between the two characters.
Piyas disconnect from her heritage and Fokirs connection with his culture makes both characters help each other in a way they didn’t know they needed. The way they communicate is through gestures and interests the most. Both of their knowledge in nature and animals is what first connects them as Fokir is the only one that recognized what Piya needed help finding for her research. Their connection with nature and interest in it is something that the other characters in the novel don’t understand, like Kanai for example as he is very modern and has in a way forgotten his roots with nature and the world around him and the state of it. The Sundarbans are a place of greenery and oceans with people still living their lives without the technology advances or new jobs that the economy has forced them into to survive, they’re surviving off of what they already know which are things like fishing and farming and hunting rather than having a desk job or being a laborer in the city.
But there is both a negative as positive as Fokir doesn’t adapt to the changes because his children’s educations are at risk but in the Sundarbans he’s living the life he truly desires even if he makes little to no money from it. One of the ways that Piya and Fokirs conversations are intimate is by the singing.
“She had thought that she had seen a muscular quality of innocence in him, a
likable kind of naïveté, but now, listening to this song, she began to ask
herself whether it was she who was naïve. She would have liked to know
what he was singing about and what the lyrics meant — but she knew too that
a river of words would not be able to tell her exactly what made the song
sound as it did right then, in that place.”(81)
This moment in the novel shows a very intimate moment between Piya and Fokir where the both of them connect with something like music. Music that Piya doesn’t understand but the connection she feels to it is intense and just right. While Fokir is singing to her which is a tradition many people still follow in Bangladesh when they follow the “fokir” lifestyle which is symbolized by Fokirs name in the novel. Music is a very intimate platonic way they connect with each other as it brings them both a sense of being in the right moment at the right time. The American standard that Piya is used to is getting changed while she gets to know Fokir more through the story as he’s a gateway to her learning more about her culture and heritage more, and for Fokir, Piya is a way to explore his connection with nature and have someone to share it with.



